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Saturday, October 29, 2011

The Best Ever Smashing Pumpkins.

Oh My Gourd! These Are Smashing Pumpkins

Feeling the squeeze
Artist Ray Villafane began carving pumpkins on a lark for his art students in a small rural school district in Michigan. The hobby changed his life as he gained a viral following online and unlocked his genuine love of sculpting. Here are images of pumpkin carvings Villafane created over the past six years, including 15 new images being shared for the first time this year.


What an adorable little girl
"When I carve, I kind of go with the flow," Villafane said. "Sometimes I might have a preconceived idea, but sometimes I make up the idea as I go."



A Viking’s life for me
Ray Villafane's signature Halloween pumpkins are known for their intricacy and lifelike subjects.



Lean on me
In addition to carving pumpkins, Villafane also works with wax and sand. “He is not limited by any material,” said Andy Bergholtz, Villafane’s colleague and a fellow sculptor. “The man could sculpt the statue of David out of a stick of butter.”




It’s a werewolf!
Villafane advises would-be carvers to steer clear of perfectly round pumpkins. His favorite carving pumpkins have an oblong shape.


Knockout!
Villafane also encourages aspiring pumpkin carvers to work with thick pumpkins. “Pick up three pumpkins of the same size,” Villafane advised. “If one feels much heavier than the others, it’s got a thick wall.”













Torment
We’d rather not ask what this poor fellow did to get himself this distressed.


Glutton
Maybe this carving could inspire kids to cool it a bit with the Halloween candy?


Grumpy Gus
Funny detail: Villafane has made a name for himself with pumpkin carving even though he's allergic to pumpkins. "If I’m carving too many or too long, my skin gets really itchy," Villafane said. "If pumpkin juice gets anywhere near my eyes, my eyes itch."



Headache
This guy might just need to take two aspirin and call us in the morning.

 


Child’s play

Spooky
People often ask Villafane whether he crafts some of his pumpkin creations by putting more than one pumpkin together. His answer? Nope. With only a few rare exceptions – like this embellished carving – he makes a point of using just one solid pumpkin.

Native American chief
Villafane said an oblong-shaped pumpkin is best for carvers who want to create realistic-looking faces.


Misfit
Because everybody feels a little bit out of place at times.

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Published by Gusti Putra at: 6:06 PM
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10 Homes That Turn Into Halloween Haunts

10 Halloween ‘Haunters’

10 amazingly decorated homes and the haunters behind them.| By Roger Fillion, SwitchYard Media

Favorite Haunts

They call themselves home haunters: People who rig up eye-popping Halloween decorations on their homes. These passionate revelers buy fancy props or make their own, like a vampire bursting from a coffin or a “scary tree” made from real bark and roots. Some go the high-tech route, wiring their homes for elaborate light shows synchronized to music. 

Tombstones, fog machines, flying ghosts, or Freddy Krueger-like images are among the props you might see when you visit the home of a haunter.  

Their ranks include men, women, young and old. Celebrities such as movie star Dick Van Dyke and Chip Davis, founder of the top-selling group Mannheim Steamroller, are among those who also like to pull out the stops. Here are 10 amazingly decorated homes and the haunters behind the decorations.


Lafayette, Colo.: Haunting via online?


“Seeing the joy in people's faces, especially the younger kids and older generation, makes all the work worthwhile,” Alek Komarnitsky says of his high-tech decorations. Komarnitsky broadcasts his handiwork on a Web site, where web surfers from around the globe can view his Lafayette, Colo., home via three Web cams. Online visitors can turn the lighting on and off via their computer. Plus, they can deflate and inflate giant air-filled figures like Frankenstein and Homer Simpson. Komarnitsky says he spends less than a $100 a year in new equipment because he has “a lot of stuff” he reuses (electricity costs are less than $1 a day, he adds). Komarnitsky puts up elaborate Christmas decorations, too. His Web site and decorating have raised more than $60,000 in donations for celiac disease research at the University of Maryland. His two children suffer from the digestive condition.


Sandy, Utah: Family friendly, to music

Greg Shoop, of Sandy, Utah, initially planted a few tombstones in his yard. “It started out just wanting to have something fun for the trick-or-treaters,” he says. For Christmas, Shoop would synchronize Christmas lights to music. A lightbulb went off. “I decided I should also synchronize my Halloween display to music,” he says.  “Each year I add or update my display a little and add a couple of new songs.” Shoop -- who spends at least $500 annually to repair, upgrade and add props -- tries to keep his display “very family friendly” so young children aren’t scared.  “No people running around scaring people, props that are designed to startle people, and no blood and guts,” he says.


New Berlin, Wis.: Plants vs. Zombies

David Stolp adores the videogame Plants vs. Zombies -- so much so the New Berlin, Wis., resident applied that passion to Halloween 2010. Stolp, his wife, and two kids hatched a plan over dinner to decorate their yard with handmade wooden objects based on Plants vs. Zombies characters -- including zombies, plants, rays of sunlight. They planted a new object daily in a way that told a story. That unfolded over 37 days, culminating on Halloween with more than 75 characters. Stolp used Facebook to explain how each object fit in the story. The family used 16 sheets of wood and six gallons of primer. It cost more than $500. “We were just doing it for fun,” Stolp says. This year: some zombies and plants, plus pumpkin decorations and mad scientist characters. 


Springville, Utah: Imagination gone scary

Snow hasn’t stopped Robert Wolf from decorating his Springville, Utah, home. In 2003, the white stuff caused a short, halting the automated kicking legs he’d installed in his front yard as well as the computer power supply that operated his props. Since then, Wolf has expanded his offerings. His yard features tombstones, fog machines, singing skeletons, and a fake fire burning in a front room window. “I always wanted to become a Disney Imagineer, but I never wanted to move to California or Florida,” he jokes. Each year he adds new props. Among others this year: a gravedigger. Wolf also tries to come up with a new theme annually. Last year it was a carnival featuring real people dressed up as spooky clowns and mimes. “I easily spend $500 to $1,000 every year,” Wolf says. 


Minneola, Fla.: Lights! Music! Scare me!

As a nightclub DJ, Jay Peterson synchronized music to light shows. The Minneola, Fla., resident transferred those skills to a computerized Halloween display. Lights and special effects are synced to music. Passersbys are so bowled over they’ve encouraged Peterson to start a business. “People would say, ‘You should be doing this for a living.’” He took the advice and launched Jayslights LLC, creating computerized Halloween and Christmas light shows for homes and buildings. Peterson estimates he spent close to $10,000 for all his equipment over the years, including new light controllers, amplifiers and outdoor speakers. His 2011 Halloween plans: “A little bit more special effects.”


Lehi, Utah: Handmade haunting

Rather than buy fancy lights and other gear, Levi Bradley makes Halloween props by hand. That means tombstones, a grave that breathes, or a zombie named Jared who rocks back and forth. “I make about 95% of all my decorations and props. I love to create things and then watch them work,” says the Lehi, Utah, resident. Bradley likes watching the expressions on tricker-or-treaters and parents. “I just love to walk around among them,” he says. This year’s theme: a Victorian-era cemetery. “Mostly with a creepy vibe and not much if any gore,” he adds. Bradley reckons he spends about $200 a year.


Kent, Wash.: A family affair

Gena Laws of Kent, Wash., says her synchronized lights and music are a family production. “Every January we have a family meeting and discuss ideas and brainstorm. We then vote on a theme for the year, changing our theme every year,” she says. “A blueprint is drawn up to reflect our theme, and I go to work programming all the lights, which can take up to 10 hours for a two-minute song.” Each “show” includes about a dozen songs. In March, the family begins building the large props, like "Bubbles" the vampire exploding from a coffin, or a horse bursting from the ground with the Headless Horseman on top. The display takes about 250 hours to complete. Laws is spending about $300 on materials this year. “The many comments, laughter, and sometime screams keep us going year after year,” she says.


Watervliet, N.Y.: Zombies and ghouls. Oh my!

Jeffrey Razzano of Watervliet, N.Y., threw himself into Halloween decorations after his daughter, then 21, became “very into” the holiday. He now installs in his backyard motion-activated lights and props, like the fictional Freddy Krueger from the “Nightmare on Elm Street” horror films, or Jason the villain in the “Friday the 13th“ films. Razzano also recruits volunteers to dress up as zombies and ghouls. Visitors are asked to donate a canned good or non-perishable food item that Razzano donates to local food banks. More than 400 people came last Halloween, and Razzano expects to open up the display for two nights this year. He estimates he spends $600 to $1,000 annually. The pay-off, aside from fighting hunger: “Seeing everybody so ecstatic and hearing their feedback,” he says.


Walden, N.Y.: Classic Halloween

Anita LaForte calls her 1870 Queen Anne Victorian house “the classic Halloween home.” While back problems have forced the Walden, N.Y., resident to scale back decorating the last two or three years, LaForte and her husband typically install tombstones in the yard. Lights, ghosts, and a fog machine complete the cemetery. Windows display skeletons, monsters made from Halloween costumes, and a cardboard cutout mimicking the gruesome “Psycho” shower scene. Spiders drop from the front porch ceiling. A voice-activated grim reaper flaps its arms and cries out on the front porch, and a screeching ghost also flies by. “Everything moves,” says LaForte, who estimates she’s accumulated “several hundred dollars” in props over the years.  LaForte hopes she can soon resume decorating in grand style. “Next year may be doable,” she says.


Omaha, Neb.: Halloween with a Christmas-y musician

Chip Davis, founder of the top-selling group Mannheim Steamroller, is known for his popular Christmas albums. But Davis also is a huge fan of Halloween, and celebrates the holiday with a big party on his 150-acre farm, 20 minutes north of Omaha. His house and barn are lit up with orange lights. Guests take a 30-minute hayrack ride where they confront a headless horseman who bursts from the woods screaming, “I lost my head!” The hayrack next stops at a huge, flaming cauldron with eight witches dancing to the beat of drums. “It takes about three cords of wood to keep the fire going inside the cauldron,” Davis says. The grand finale is a spaceship that’s crashed into a hill and is billowing smoke. Theatrical lights illuminate the spacecraft, as well as the eight-foot alien who emerges and speaks with a Darth Vader-like voice.  “I really enjoy Halloween more in some ways than I do Christmas,” Davis says.


Quoted from MSN
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Published by Gusti Putra at: 5:41 PM
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Monday, October 24, 2011

Astronauts go deep for undersea 'asteroid' trip

'Aquanauts' will spend nearly two weeks at a depth of 60 feet, off the coast of Florida

After waiting out stormy weather and rough seas, a team of astronauts successfully began a tough mission Thursday, but instead of launching into space, this crew is headed for the ocean floor on a mock asteroid trip.
NASA's NEEMO 15 expedition will simulate aspects of a mission to an asteroid.
In this illustration, a configured rock wall can be seen near the underwater Aquarius laboratory.
The six "aquanauts" splashed down at 2:15 p.m. EDT (1815 GMT) and will spend the next 13 days living inside a small laboratory called Aquarius on the ocean floor during their undersea mission to test different ways to explore an asteroid. The expedition was originally scheduled to begin Monday, Oct. 17, but heavy rain and storms in the area made the waters unsafe for the dive, NASA officials said.

This is NASA's 15th NEEMO (NASA Extreme Environment Mission Operations) voyage to test technology and innovative engineering solutions for future space missions. NEEMO 15, however, is the first to experiment with concepts of how to visit and explore an asteroid. [Gallery: Visions of NASA Asteroid Mission]

The weather delays alone make this a good simulation of real spaceflight, NEEMO 15 aquanaut David Saint-Jacques, of the Canadian Space Agency, joked to SPACE.com.

Working underwater 
For nearly two weeks, the NEEMO 15 crew will live and work at the Aquarius Underwater Laboratory, which sits 60 feet (18 meters) below the Atlantic Ocean, about 3 1/2 miles off the shore of Key Largo, Fla. The agency uses this lab to approximate the weightless conditions in space and on an asteroid.

"There are a lot of aspects to what we can do on NEEMO that are directly comparable to flying in space," NASA astronaut and NEEMO 15 commander Shannon Walker told SPACE.com. "For this particular mission, because we're on the ocean floor, we're able to be mutually buoyant. It's one of the few places where we can do tasks as if we're on an asteroid."

To train for spacewalks on the exterior of the International Space Station, astronauts don full spacesuits and meticulously rehearse the steps in a giant swimming pool called the Neutral Buoyancy Laboratory (NBL) at NASA's Johnson Space Center in Houston. For NEEMO missions, working on the ocean floor helps astronauts and engineers create more realistic simulations to test concepts and technology.


"A lot of what we do here could be done in the NBL, but it would not have the air of reality," Saint-Jacques said. "It wouldn't put the operational pressure on everybody to do things just like on an asteroid mission. Here, it's really like a space mission. We have a mobile mission control, and lots of technical support to make this work."
A diver anchoring to a simulated asteroid surface
created for NASA's underwater NEEMO 15 mission.
Furthermore, since the aquanauts will be living underwater for 13 days, they practice diving techniques that allow their bodies to adapt and become saturated in the underwater environment to avoid the dangers of decompression sickness, or the bends. This enables the crew to work longer hours on the ocean floor.
"Because we are saturated, it means we can do two or three hours of [extravehicular activities] a day," Saint-Jacques said. "That would be impossible in the NBL."

Stepping stones to an asteroid 
NEEMO 15 will test various concepts of how to anchor to an asteroid, travel around on its surface, and perform experiments. During the mission, aquanauts will work outside the Aquarius lab for two to three hours each day.

A mock asteroid landscape on the ocean floor was set up earlier this year for the NEEMO 15 expedition. A fiberglass wall will also enable the aquanauts to test different ways to drill anchors to the surface of an asteroid. [Video: Rock & Roll Asteroids]

"Once we go off to an asteroid, that's a huge undertaking that we want to be in the best position to do things efficiently and successfully," Walker said. "We want to test all these different combinations and see what's the most efficient way to accomplish science tasks. Along with that, we're going to have to figure out how to attach to it and maneuver around the asteroid."

NASA astronauts Stan Love, Richard Arnold and Mike Gernhardt will also be at the controls of a small submarine, called the DeepWorker submersible. The submarine will be used in place of the agency's Space Exploration Vehicle, which is a rover that is being developed for a future manned asteroid mission.

Future space missions 
The results of NEEMO 15 will help NASA plan for a future manned mission to a space rock.

"NASA's exploration branch is really keen on this mission," Saint-Jacques said. "They are waiting for the results to inform their engineering teams as to what are the good architectural solutions to pursue. It's a very smart way to work because before you get the big engineering team working and spend a lot of time, manpower and resources, you do these relatively cheap investigations to make sure you're on the right track."

Walker, Saint-Jacques and Takuya Onishi, of the Japan Aerospace Exploration Agency, will live aboard the Aquarius lab for 13 days. Noted Mars planetary scientist Steve Squyres and two veteran divers, James Talacek and Nate Bender of the University of North Carolina, Wilmington, will also provide support and work with the NEEMO 15 crew underwater.

Canadian astronaut Jeremy Hansen and Jeanette Epps of NASA will guide the NEEMO 15 crewmembers as capsule communicators in Mission Control.

As part of the agency's new direction, NASA is aiming to send humans on a mission to an asteroid by the year 2025. Walker said she is excited to play a role in planning such a mission, and would be keen on visiting an asteroid in the future.


"I would love to go wherever NASA wants to go," Walker said. "I might be near the end of my career, but I would still be interested."

The NEEMO mission is a joint venture between NASA, the National Oceanic and Atmospheric Administration (NOAA), which owns the Aquarius laboratory, and the University of North Carolina, Wilmington, which operates the underwater facility.

Quoted from MSN


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Published by Gusti Putra at: 11:06 AM
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Dog death row... Sunday Mirror investigation reveals 250,000 cats and dogs are gassed each year in Japan


Waiting to die: Pedigree Japanese Akita puppy scratches the window of his cage... moments later he is taken to the gas chamber

A puppy scratches at a window in a pitiful attempt to escape the horror which is about to unfold.

Minutes later the pedigree Japanese Akita is among a large group of dogs led into a “dream box”, an ­execution chamber which will be pumped full of carbon dioxide.

As the deadly gas slowly fills the box it takes 10 minutes for the barking inside to die down into heart-breaking whimpers. And as the dogs writhe in agony, it takes another 20 minutes before their twitching bodies are finally still.
The animals have just become the latest batch of the 200,000 cats and dogs which will be gassed to death in Japan this year.

Today a Sunday Mirror investigation uncovers this conveyor-belt of slaughter – which is completely legal and run by the country’s government.

The carnage is happening because of an explosion in the Japanese pet industry, which is worth £20billion a year. There are now 23 million pet cats and dogs in Japan... that’s more than the number of children.
Unregulated breeders sell the latest fashionable breeds, some costing up to £5,000, which fill the ­windows of thousands of pet shops across the country.

Yet those which can’t be sold, or are too old to be used for breeding, have a piece of red string tied around their neck and are led off to die.

The euphemistically named “dream” boxes where they spend their final moments are fully mechanised gas chambers housed in health centres called ­hokenjos.

There are 108 in Japan and they each kill an average of 550 animals a day. The gas chambers were ­invented by scientists in Japan, where Buddhism teaches that all life is sacred. Even a vet will not take an animal’s life. Yet as our pictures show, there is no room for such compassion in Japan’s ­burgeoning pet trade.
We were granted rare access to one of the execution chambers.

At the single-storey building in Chiba, 50 miles from Tokyo, six ­stainless steel walled rooms serve as death row for at least 30 dogs.

“It’s quiet now,” says Mr Nohira, the director. “We get ­especially busy just before the summer when the cages are full of puppies.” Last year more than 5,000 cats and 2,000 dogs were ­slaughtered here.

Among the dozens of animals ­frantically pacing the tiny cages are a dachshund, a miniature pointer, a ­terrier and a poodle.

The red nylon string around their necks indicates they have exceeded the maximum seven-day stay and will have to be killed. Any longer would be ­“wasting resources”. Hundreds of cats await the same ­awful fate in another room. That comes at 8.30am sharp every Tuesday and Friday when the animals are forced along a narrow ­concrete ­passage into the dream box.

Mr Ishizaki, the operator, a gentle and apologetic man, presses the green button in the control room. He then watches as cylinders release the carbon dioxide.

“When I first did it I was very sad,” he explains. “Now it’s just my job. I don’t dwell on it any more.”

The stench of death fills the air, the metal rails matted with the fur from the tens of thousands of cats and dogs that have already been through the centre.
Puppies and kittens die more slowly because the gas takes longer to penetrate their tiny bodies, Mr Ishizaki explains.

Once dead, the animals are dumped through a hatch into an incinerator. The 600C heat quickly turns them into ash, which is put into white plastic boxes labelled industrial waste.

According to official figures, 90 per cent of abandoned pets are dumped in government pounds each year.

That compares with just nine per cent in the UK.

One reason is because Japanese pedigree dogs have high rates of ­genetic defects. It means just one or two from a litter will possess the “cute factor”.

Miniature “tea cup” toy poodles are the current trend in Japan. They sell for as much as £2,500, while a puppy with “red” fur was on sale last week in Tokyo for double that. Pet shop chains make millions in profits each year.

DESIGNER GOODS

Some are open until 3am and cater to the businessmen and ­hostesses who spill out of nearby clubs and buy puppies and kittens to pop into their designer handbags.

Paris Hilton posed outside one such store, OneWan, a couple of years ago among Gucci dog collars ­selling for £1,400.

Emi Kaneko, director of the Lifeboat charity which has saved 8,000 cats from the gas chambers, says: “Buying a pet is no different to buying a ­handbag for lots of people in Japan.

“People buy them without any thought and then throw them away like toys.

“It would be better if the Japanese stopped buying pets ­altogether from the shops – then there would be no puppy mills, no hokenjos.”

Campaigners like Emi are the only hope for many cats and dogs. Small pockets of activists do all they can.

But it is a thankless task in the face of Japan’s appalling animal rights record. Fusako Nogami, of the animal rights group Alive, has spent years trying to expose the black market trade in ­pedigree cats and dogs bred in “pet mills” across the country.

These tiny pet factories, often in crudely converted houses, are stuffed with squalid cages of pets.

One campaigner, who asked for ­anonymity, spent two years trying to get the authorities to shut down a pet mill near Fukuoka in southern Japan.

“Hundreds of animals were crammed in a tiny space,” she said. “The stench was overpowering, with carcasses lying around and dead animals being dumped with the garbage.”

The campaigner was arrested and charged with trespassing as she tried to gather evidence. No action was taken against the owner.

Only one breeder has been closed down in Japan in the past five years.

“The current laws are inadequate, ambiguous and weakly enforced,” says Mr Nogami.

For now there seems little chance of that happening. Yesterday in Tokyo one designer dog selling for £4,200 was ­attracting a throng outside a pet shop window.

As he pawed at the window the ­onlookers laughed and even took a picture. Then they turned on their heels, leaving the dog scratching at his cage.

Quoted from Mirror

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Published by Gusti Putra at: 2:19 AM
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